NEON
During my time at NEON, I was given incredibly hands-on experience working on NEON and SUPER titles such as TRIANGLE OF SADNESS, MOONAGE DAYDREAM, ALL THE BEAUTY AND THE BLOODSHED, INFINITY POOL, BROKER, and more. My intern team and I conceptualized and presented full marketing, distribution, and public relations strategies for each film, with many of our ideas coming to fruition. Though my focus with NEON was within the marketing department, I was able to experience and learn from the theatrical distribution, acquisitions, and public relations departments.
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MOONAGE DAYDREAM
For the David Bowie documentary, MOONAGE DAYDREAM, I created distribution blasts and social media assets for upcoming special screenings or Q&A events. I also worked to organize the film's footage for legal marketing use, as much of the film is archival footage.
ALL THE BEAUTY AND THE BLOODSHED
For the Academy-nominated documentary, ALL THE BEAUTY AND THE BLOODSHED, I worked with my team to strategize a release plan for the film that would highlight the work of photographer Nan Goldin. I also constructed distribution blasts and social assets for the film.
INFINITY POOL
Though INFINITY POOL premiered at Sundance after my time at NEON, I was still able to help strategize a release plan for the mind-boggling horror film, as well as research materials for PR and marketing such as dog collars and masks.
NEON
For the company, I formated mock-ups of shirts, onesies, jackets, and other merchandise for internal and external use.
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